Line drawing depiction of the religious beliefs of Guan Yue Temple (2024)

The artwork employs line drawing as its primary technique. Compared to color-filled or shaded illustrations, line drawings provide a clear and effective method of visual communication, emphasizing essential details while omitting extraneous elements. This approach allows viewers to quickly and intuitively grasp key information. Additionally, the use of scatter perspective enables a simultaneous frontal and aerial view, offering a more comprehensive understanding of Guan Yue Temple’s intricate spatial layout.

Furthermore, this elevated viewpoint—reminiscent of surveillance—grants viewers an almost omniscient perspective, evoking the "panopticon" effect described by Lyon. This god-like vantage point not only enhances spatial perception but also fosters a paradoxical sense of reverence. By momentarily adopting an authoritative viewpoint, participants may experience an intensified respect for Taoist deities and doctrines, reinforcing the spiritual significance of the rituals depicted.

Line Drawing Depiction of the Religious Beliefs of Guan Yue Temple (2024)，42cm x 59.4cm, fineliner.